1/7/2024 0 Comments Cubase pro![]() See previous comment, I've never had this happen and I suspect my interface choice is why.Īgreed, Kontakt is wonderful, and Halion is what Kontakt would be if Kontakt sucked. But its been spectacular since day one and I've never regretted buying it. It hurt dropping that much coin on a piece of hardware that I use for a hobby. I've always felt a DAW is only ever going to be as good as the interface you use with it. IMO ASIO4All is a driver for those who want to try to get their hardware to do something it was never designed to do, either because they can't afford to do it any other way and simply don't want to try. With that said, lets look at some of your cons. Took me several months to get fully up to speed but I got there and I'm now just as comfortable with it as I ever was with Cakewalk. When Gibson shit canned it, I knew I'd have to find another platform and started searching.Ī friend was using Cubase so I gave it a shot. I started with Cakewalk back when it was just a MIDI sequencer on Windows 3.1 and I used it pretty much exclusively ever since. ![]() Halion is naff – poor presets and difficult to edit.Ĭrashed more times in a month than Cakewalk has done in years.Ĭonclusion: Too many difficulties with the audio setup side to make it a serious buying option for me, although it has given me some benchmarks to look for in other DAWs, notably the audio editing and automation. Wouldn’t find my ASIO4All interface driver so had to use Generic low latency driver.Īnnoyingly Cubase disconnects itself from my USB interface and/or audio inputs and outputs every time I load up a song. I might actually buy the full version as a standalone regardless of the DAW I end up with.Ĭhannel strip eq is pretty good and intuitive.Īutomation is easy and versatile – I didn’t find anything I couldn’t automate.Ĭons: (admittedly, some of my gripes might be down to my lack of knowledge or lack of time in getting stuff to work – however, it shows how easy it was for me to get certain things working in Cubase) Groove agent is really good – easy to load/edit samples and I like the pattern function – makes it really quick to build drum tracks. Stock effects are pretty good – delays are simple but effective. I liked the audio editing function including the tuning correction – great for my bad singing! I’d love to hear from some experienced Cubase users on how their experience compares with mine – looking forward to some good natured disagreement! :-) Here are my thoughts after a 30 day free trial of Cubase Pro. If anyone wants to listen to demo I made over the 30 day trial period, here it is! For the record, I did a fair bit of music production in the noughties using Fruity Loops, Cubase and Ableton so not a complete noob. I’ll be trying Cubase, Ableton, Studio 1, Bitwig and FL Studio (although sadly it’s not a fully functioning demo like the others are, so it’ll be a bit of a different test experience) Control Room recording and monitoring environment, which seamlessly integrates performer mixes and monitoring setups into your recording and mixing workflow.After several years of using Cakewalk, I’ve decided to take advantage of the trial period of a few different DAWs to see if I want to switch.NEW: SpectraLayers One to visualize and clean up your audio or separate the vocal part from any kinds of audio tracks.Spectral Comparison EQ – Compare the spectral curves of two tracks within an EQ display and identify where action is needed.Intelligent compositional tools like Scale Assistant, Chord Track, Chord Pads and Chord Assistant.MixConsole – Professionally equipped mixer with integrated channel strip, VCA faders, loudness display, wave meters.Audio Alignment automatically match the timing of audio events to a reference track.VariAudio for MIDI-style note editing of monophonic audio tracks, automatic voicing harmonization and auto-tuning effects.Comprehensive set of 8 outstanding instruments with over 3,400 sounds, including HALion Sonic SE 3, Groove Agent SE 5, Padshop 2 and Retrologue 2.Complete effect suite with over 90 high-end audio and MIDI VST effect processors, like the new dynamic equalizer Frequency 2.Award-winning 64-bit floating-point Steinberg audio engine with up to 192 kHz, 5.1 surround, flexible routing and full automatic delay compensation.From Hollywood blockbuster composers and Billboard Hot 100 producers right through to keen beginners, the world of music production trusts the comprehensive feature set, straightforward tools and unrivalled sound of our acclaimed music production software. Cubase Guides You on Your Music Production Journeyĭo you want to start creating your own music, bring your production up to a professional level, or streamline your workflow for short deadlines? Whatever you need, Cubase helps you to reach your full creative potential.
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